Creativity In Education Part 6

This year I have been handed the task of instilling a more creative approach to learning and teaching at one of the schools I work at. This is a task I am excited about. It is a particular passion of mine evident in many of my previous blog posts.

The thinking behind this comes from my own personal belief that creativity The ability to generate new ideas is innate in everyone and needs to be one of the higher goals of education. The investigation also stems from the rapid changes that we see in the western world, changes in the job market which is crying out for innovative/creative thinkers, as well as changes driven by the digital revolution which has provided opportunities for people to create, collaborate and communicate like never before. Our education system has a responsibility to not only keep up with these changes but perhaps even lead some of them.

To achieve the task 2 think tanks have been established, one inside the school and one drawing from experts and networks beyond the schools immediate boundaries. These think tanks will provide ideas, investigate research, experiment with implementing ideas into the classroom, provide feedback and teach and support others.

My initial thinking was to set up an environment where people can share. Instead of the formal monthly meeting we would build a platform (perhaps a NING) where those involved from within the school could be contributing whenever they liked.

Within this platform we would,

1. Look at what the creative thought process actually is, investigate the research into it. this might include looking at notions of cognitive dissonance, divergent thinking, he ability to find connections where others cant see them, risk taking and freedom and dualism.

2. Investigate the environments that stimulate creative thought. This could be both the physical environments, mental environments and online environments. Much writing has already been done about the ideas of networked knowledge and web 2.0 being a modern day equivalent of the coffee shop experience of the Paris intellectuals that lead to so much new thinking in s many areas, including philosophy, literature the arts.

3. Investigate existing  models that stimulate the creative thought process in an educational setting, these could include Project Based Learning, some of the online courses developed by PLP,  Steven Downs models of learning centred around Network Learning, Rich Tasks, The Agile Methodology, The CKC model developed by Ideas Lab, and The Inquiry model. From initial discussion there is already some debate whether the enquiry model is at all related to creativity or whether its basis being rooted in a western scientific model of investigation and reason actually limits its ability to encourage creative thought.

4. Find ways to encourage these learning environments to flow into the teaching of all curriculums including the core curriculums of numeracy and literacy. Is this done through the questioning process? Do the teachers need to ask bigger questions, what if we trusted the students to just ask their own questions? How much time in education needs to be devoted to skills based learning? Etc. Etc.

I would love to hear anything anyone else has to say on the matter. If you think there are things we should investigate please fell free to suggest, all ideas are welcome. If you would like to be involved in the community we hope to develop feel free to email me and I will notify you once we have built our NING. Or initially feel free to comment with any ideas readings, criticisms etc on this blog. Thanks needs to be given to Richard Olsen form Ideas Lab, Lou Bowe and Mark Dickson and Sheryl Nussbaum Beach for some of their initial work as well as the Creativity Team I worked with in 2011 during the PLP ConnectU project.

Here is a simple but worth while youtube video that gives a nice starting place

Creativity in education Part 5 – The Creative Personality

I recently read an article presented in Psychology Today written by Mihaly Csikszentmihalyi talking about common characteristics found in the creative personality – or to be a little more specific “how creative people live”.
Many of these characteristics initially appear to be dualistic in nature and excited me when contemplating them within a classroom setting.
I think some of them are important to be aware of if we are to be encouraging the idea of creative thought within our students. As educators it is important to consider the wider impact of decisions we make and if it is to foster creativity, which I believe we should be then we should also be aware of exactly what it is we are talking about and how that is likely to impact upon our classrooms.
A summary statement of the article is that creative people are incredibly complex. This in itself can create stress for some classroom teachers. I have witnessed myself attributes of a creative student causing great stress and misunderstanding within a teacher leading to perceptions of threat within the said teacher. This then had the follow on effect of punishment for the creative student. If some understanding of the complexities of the creative process were demonstrated by this particular teacher I am sure the outcomes could have been far different and much more positive for all involved.
Here are a couple of great examples
1. Creative people have a great deal of physical energy, but they’re also often quiet and at rest. They work long hours, with great concentration, while projecting an aura of freshness and enthusiasm. The physical energy is something that can disrupt a quiet classroom environment if not properly focussed.

My art collective "andeverythinginbetween's" 2011 show - Fugitive Piano

2. Creative people tend to be smart yet naive at the same time. They can be both divergent and convergent thinkers. The divergence is needed for the new ideas, the convergence is needed to realise that one iea is good and the other is bad.

3. Creative people combine playfulness and dicipline, or responsibility and irresponsibility. There is no question that a playfully light attitude is typical of creative individuals. But this playfulness doesn’t go very far without its antithesis, a quality of doggedness, endurance, perseverance. They can fluctuate and often need to do so.

4. Creative people alternate between imagination and fantasy, and a rooted sense of reality. The whole point of art and science is to go beyond what we now consider real and create a new reality. At the same time, this “escape” is not into a never-never land. What makes a novel idea creative is that once we see it, sooner or later we recognise that, strange as it is, it is true.

5. Creative people tend to be both extroverted and introverted. Most people fall into either one or the other categories, creative individuals, on the other hand, seem to exhibit both traits simultaneously. I imagine that this makes them harder to pigeonhole within the classroom environment and can make their behaviour seem erratic.

6. Creative people are humble and proud at the same time.

My art collective "andeverythinginbetween's" 2011 show - Affinity

7. Creative people are both rebellious and conservative. It is impossible to be creative without having first internalized an area of culture. So it’s difficult to see how a person can be creative without being both traditional and conservative and at the same time rebellious and iconoclastic.
I think this trait is a huge one for educators to understand. The creative person will swing between the two and is therefore hard to pigeonhole when it comes to writing up your personal teacher plan to accommodate every learning style. An iconoclast is often viewed in the negative but they are usually that way because they have a better idea and therefore would see the tearing down of a structure as a positive thing to be encouraged.

This dualistic nature is something that should be understood and encouraged in our education systems. Initially dualism always appears to be chaos but with a little investigation and patience the apparent stress of the chaotic can be channeled into the fantastic. And why should we encourage creativity in our education system?

To quote from the same article “Of all human activities, creativity comes closest to providing the fulfillment we all hope to get in our lives. When we’re creative, we feel we are living more fully than during the rest of life.”

Creativity In Education Part 3 Agile Methodology?

Creativity In Education Part 3

Over the last year I have been participating in an interesting study entitled PLPConnectU. Set up by the department of education and in co run by a group Powerful Learning Practice (PLP) it has been tremendous for my own thinking in regards to education.

I am placed in a group called Creativity (which suits me just fine) and as part of our learning we were required to set up a project for our students under the guidelines of a PBL (project based learning) structure.

Together with my colleague Kristen Swenson we developed a unit of work around game creation. If you are interested in reading about the planning for this unit and how we are trying to fit it into the PBL structure Kristen has written and excellent blog charting the planning our big question, learning aims and sub questions as well as and our own reflection.

But to quickly summarize the students had developed a criteria chart for what made a good game , they had rated a few games then we just let them loose on a couple of online game making sites (stensyl, gamesalad and scratch) and they started going for it.

The following week we had an expert come in from a successful game making company and present. His presentation enforced the notion that before and coding (or making of the game) happened everything had to be completely designed to the enth degree.

This approach not only disappointed the students but got me thinking.

In the corporate world there are 2 primary methodologies for software development.

Waterfall – a Sequential linear design process using the following methods.

Requirements, design implementation, verification, maintenance.

Agile is a relatively new methodology that many companies are trying to use to create product (mostly software development). Agile Methodology, came about after waterfall and was an attempt as addressing some of its shortcomings,

While there are many different Agile methods (eg, Scrum, XP, Agile Unified Process) they all embrace the following manifesto as their foundation:

Its manifesto is as follows

  1. Individuals and interactions over processes and tools
  2. Working software over comprehensive documentation
  3. Customer collaboration over contract negotiation
  4. Responding to change over following a plan

That is, while there is value in the items on
the right, we value the items on the left more.

Its Principles are as follows

  1. Our highest priority is to satisfy the customer
    through early and continuous delivery
    of valuable software.
  2. Welcome changing requirements, even late in
    development. Agile processes harness change for
    the customer’s competitive advantage.
  3. Deliver working software frequently, from a
    couple of weeks to a couple of months, with a
    preference to the shorter timescale.
  4. Business people and developers must work
    together daily throughout the project.
  5. Build projects around motivated individuals.
    Give them the environment and support they need,
    and trust them to get the job done.
  6. The most efficient and effective method of
    conveying information to and within a development
    team is face-to-face conversation.
  7. Working software is the primary measure of progress.
  8. Agile processes promote sustainable development.
    The sponsors, developers, and users should be able
    to maintain a constant pace indefinitely.
  9. Continuous attention to technical excellence
    and good design enhances agility.
  10. Simplicity–the art of maximizing the amount
    of work not done–is essential.
  11. The best architectures, requirements, and designs
    emerge from self-organizing teams.
  12. At regular intervals, the team reflects on how
    to become more effective, then tunes and adjusts
    its behaviour accordingly.

The expert seemed to be presenting to us from a waterfall approach. I got to thinking how much my approach to education fitted so much more with the agile methodology. It encourages continual change, it encourages the idea that the imagination will develop with the approach and therefore the project needs to be adaptive to flow with the imagination of the creator. It also emphasises the need to work quickly and have many small victories – continuous creative work and searching is going to stimulate the mind allowing for the environment for the big idea to push out (see my last blog).

My personal favourites are principle 5. The environment and support and trust must be provided that in order to get the job done. If we are moving into a more creative education – one that moves away from the dominance of left brain centred literacy and numeracy, we must change our environment. I have spoken many times of the need to find time in order to enable students to develop creative thinking, we must trust them which means as teachers we remove ourselves from the position of authority and rather into one of facilitator – find the resources that the students are going to demand in order to get there ideas out. Help shape their learning but be aware that they will move into areas you have no idea about and be comfortable about that. (I know very little about game programming but am comfortable that I can help guide the students to places where they can find the knowledge they need.

Other points that the above principles talk about that appeal to my sense of good creativity are the use of collaborative teams, reflection and the pursuit of excellent design.

The Agile approach also speaks about the need to be fearless in the constant pursuit of ideas but it gives you the means to respond to change.

By breaking things down into smaller deliverable packages it makes itself adaptable. To use an Australian context, Myki and the Ultranet are two examples of Waterfall methodologies that might have had better success if they had taken more of an Agile approach.

In regards to education I like setting up creative projects for students that allow for ideas to develop, change, be dumped and ultimately, hopefully allow for a new creative thought to pop out.

I think in regards to the game making project we are working on we aren’t going to plan it down to the finest detail before letting kids get into the making – if nothing else it would bore the kids to death.

Creativity in Education Part 2

What are we talking about when we say we are trying to encourage a complete creative approach to education. Why is the desire in all man to create so powerful and therefore so important for our education system to support.

Creativity is a new thought, but as we all know there is no truly new thought. Every new creation or thought has such strong links to all preceding thought, new thought can be thought of a merely development of existing thought.

Copyright becomes more and more of an issue in education as it has been for the arts since the ridiculous notion of intellectual property came into common thought. There are many many good papers written presenting counter arguments to our current selfish and ignorant copyright laws so I wont go to far into that except to say the laws show complete ignorance of the process of the creative idea, how it is always linked into a historical context and how all creative acts require a lineage of previous. (If you are truly interested in finding develping some understanding about copyright than this would be a great place to start http://www.plunderphonics.com/xhtml/xplunder.html) Sampling or sample based music is a good example of the truly creative act that requires previously existing work to reference. Without the previose work which can be taken and rearranged there would be no sample based music or art. And sampling is no new idea, Rembrant referenced his preceding masters, Beethoven quotes previous composers work in many of his compositions in fact everyone who has ever created anything in some way samples. Quotation in your work , as well as being a form of flattery is also a means of acknowledging the ideas that preceded yours. Without them your creative work might not exists. Ones take on the preceding idea is where things become interesting. Or to put it another way, what you do with that already existing idea is what is truly original personal and creative.

Our schooling systems need to encourage this “personal take” idea. Where does this happen in our current timetables?

As a composer I know there are many times in my life I have no ideas and there are other times when the ideas are pouring out of me at a rate that is almost to fast for me to get them all written. These are the times when it feels everything has fallen into place and life is in some sort of Zone. I am experienced enough in my own life to recognise these periods. When they are occuring I work very hard to produce as much as possible. I do this because I know how hard it is to get to these Zones. I also recognize that when I am not in these Zones I do everything in my power to try and get back there. This includes, investigation, experimenting, trying new ideas, failing, listening, looking at everything with my eyes open, reading, searching and basically hunting for the next idea.

My musical ideas these days rarely come from listening to other music, instead the concepts come might come from the reading I have done. For example I have recently read a lot of Cormack McCarthy novels. Rather than the stories contained in the novel it is the atmosphere he manages to create with words, the deep philspohical concepts behind his words that triggered my mind and ignited musical ideas that I have been struggling with for perhaps the last 15 years. It also triggered a more thorough investigation into a couple of composers who I had flirted with in the past, Morton Feldman and Olivier Messiahn. It was the novels that allowed my head to finally make sence of a musical and conceptual problem I hadn’t been able to resolve for years. This then lead to me studying other artists working in a similar area which ultimatly culminated in a body of work being composed. This work has recently been recorded and will be released. The actual period of high creativity lasted 2 weeks but the work period I did to get there took about a year and a half. The process for the creative act actually involved a long period of creative thinking.

It takes time.

School needs to be encouraging this and providing the time. Our school timetables are ridiculously over crowded. Our almost religious belief in numeracy and literacy as being subjects of the highest importance is a lazy lie that we choose to believe because it makes our jobs easier. It takes great courage for an educational institution to back away from the current importance given to these subjects because you now enter into a fight with society, parents, data managers bureaucrats looking for something to present to the politicians above them etc but it needs to happen. I love technology because it provides almost endless platforms for children to create in, or to express themselves. That is why at the school I work at we have invested hugely in technology – because it can be personalised. A child can do whatever he can think of with it. An education system that encourages and fosters creativity is a system that is working on a far deeper level than the one that places numeracy and literacy at the top and virtually ignores everything else.

We have a workforce crying out for innovation – how is our education system working to provide for that. At what point are we teaching the thinking process that leads to the creative act?

In a study by Eysenck (1995) and Martindale (1999) they proposed that creativity is characterized by cognitive disinhibition. Cognitive disinhibition is hypothesized to underlie many of the cognitive processes that have been associated with creative cognition, such as defocused attention and wide associative horizon. Whereas Eysenck (1995) argued that lower cognitive inhibition is a relatively permanent characteristic of the thinking style of creative people, Martindale (1 999) has argued that creative people can focus or defocus attention depending on task demands. At what point in our numeracy and literacy focused curriculum do we allow for DEFOCUSED ATTENTION. or is it all just about learning the skills required to get to the next level?

For a more academic read of what I have been writing about please read Andrew Williamson’s essay.He talks about similar ideas with strong references to academic research in the area. Particulate of interest is where Andrew writes about the thinking process required including Cognitive acceleration and cognitive dissonance. Link To Andrews Essay

Creativity in Education Part 1

Currently I am involved in a fantastic project titled PLP Connect U a joint project with the Department of Education and Powerful Learning Practice. It is a fairly open ended project designed around creating better learning and teaching practice through the development of networks and communities of learners. The approach seems to be a fairly organic one where outcomes are not set in stone but are variable dependent on where the groups push or pull them. This approach creates some fairly messy as well as interesting discussions as well as generating confusion. Confusion is one of my favorite states and a state I thoroughly endorse when it comes to teaching practice as it seems to allow for new models of unexpected thinking to push through. I was recently at a conference where clarity was the buZZ phrase. Students must have total clarity of the desired learning outcome at all times to better enhance their learning ability.

For me that is a method that while having some merit some of the time is not necessarily something that will lead to new thinkings within the students mind so therefor has it’s limitations.

I am part of a group within the PLPConnectU Project entitled Creativity and it is full of great thinkers trying to deepen their students educational experiences and allow for a more creative approach to learning. We were recently asked to comment on the subject of what we were wondering about and I replied with the following.

I am wondering about the following things I’ve read recently. While sounding esoteric they might actually be relevant in a group with the title creativity,

The first is a short statement by Arthur Rimbaud a French Poet

“I say a man must be a seer

Make oneself a seer

The poet makes himself a seer by a lengthy, massive and deliberate disordering of all the senses”

1871

Secondly a statement which follows similar lines found in a book called The Art of Looking Sideways.

“Creativity is a compulsive human urge which demands ritual actions or routine responses and is valid only when one is trading beyond experiences.

The word creativity is frequently appropriated to enhance the mediocre or justify the mundane. That ceaseless and frenetic activity -easy to mistake for purposeful action – which without anything new to say only produces noise and aggregate. No new thoughts no magic moments just more activities in which process becomes product. The true creative act is something else it produces something which never existed before. Whether of small consequence or great significance. A glimpse of the blindingly obvious ignited by the heat off the wires caused by short circuiting thoughts. Insight is unreasoning.

Of course what might appear to be a spontaneous thought may well have been a long time cooking in the unconscious.”

I think these two comments make powerful statements about true creativity requiring alot of work and space and dedication and support to allow it to find it’s way through because to “deliberately disorder all the senses” is a courageous and difficult thing to try. Reordering of the sences is talking about realigning meaning to everything or reassigning different meaning to things.

This is something I personally do alot of and it is something that has come to influence almost all of my art practice. I know how difficult it is to do and the consequences of doing it are sometimes very confusing. Sometimes by reassigning meaning you actually rub up against society and the norms of society which can be very powerful things. But generally out of that confusion comes a moment of absolute inspiration. This is the creative thought. This is the new thought, this is what allows me to percieve the future and this would never have come to me if I had been told the intention of the lesson. Confusion can be a good thing and I wonder how much of it do we allow our students to live in it. Creativity is so much more than providing an art lesson or finger painting or whatever other process based work you would like to see an outcome to.. it is about a commitment to original thought and the difficult process that actually is.

Feel free to comment, these are just thoughts I am trying to better formulate in my own mind when it comes to teaching practice.

If your interested in my art practice I have documented some of it here https://kynanrobinson.wordpress.com

Over the past four years our school has an intensive blogging program. Every child from grade 3 up has a blog. This has been incredibly useful in regrads to us skilling up both students and staff in web 2.0 tools. Skills such as uploading, posting, embedding, dealing with templates and so on are all very effectivly taught through blogging. Our students were mainly using their blogs as digital portfolios. In this format students are uploading content but not really doing much else.
While this skill learning is very important it is really only  very basic learning and I was looking for a way to deepen both the learning experience as well as  teaching using the blogging platform.
I met <a href=”http://me.edu.au/p/richardolsen”>Richard Olsen</a> at a recent forum on blogging and he presented a model which does exactly what I was looking for. This is a model that he along with his team at <a href=”http://www.ideaslab.vic.edu.au/”>Ideas Lab</a> had constructed along with <a href=”http://21stcenturylearning.typepad.com/blog/sheryl_nussbaumbeach/”>Sheryl Nussbaum-Beach</a> of <a href=”http://plpnetwork.com/”>PLP Network</a>.
The four interlinking circles all show a different phases that a learner would move through while blogging. Each phase offering different skills and learning potentials. I imagine that the phases would be moved through seamlessly. Each phase also has implications for the teacher. For instance the connecting phase would result in the teacher having to teach methods of research as well as critical consumption of information.
The communication stage which has the role of sharing information and repurposing information would lead to the implication of understanding copyright and so on.
The real power of blogging comes when linking into these ideas. Practical examples of things you can do to link into these ideas are
1.Blogs have much more power when they are niche blogs as they allow the blogger to connect to a community, they set up stronger parameters for an audience for the blog, beyond the child’s parents and grandparents making it much more authentic.
2.When the comment box is used effectively it also allows for greater connectivity, it leads to deeper discussion, potential for questions and perhaps even debate. We need to teach our students how to comment effectively in order to create discussion.
3.When tagging and categories are done correctly the same happens. Children should be taught to tag for others not just themselves.
4.Blogs allow us to work collaboratively – there is always more knowledge in the group than the individual.
5. We also need to teach our students how to link effectively – this creates a broader knowledge base.
6. Students should be taught how to subscribe to other blogs, thus deepening their knowledge base and community base.
I presented these ideas to my staff and received overwhelmingly positive response. The model that Richard and his team has come up with is a good one as it provides a language that allows us to talk about blogging relative to our teaching practice, it also gives both pedagogical and practical ideas on how to take the idea of student blogging and transform it  or develop it to a deeper learning experience. It is also a model that I feel can be translated to alot of digital literacy’s. Many teachers are STILL unaware of how to apply ICT into their classrooms and see it as being some sort of nuisance rather than required. Models like this one provide substance to those teachers and are very beneficial.

Better teaching and learning with blogging

Over the past four years our school has an intensive blogging program. Every child from grade 3 up has a blog. This has been incredibly useful in regrads to us skilling up both students and staff in web 2.0 tools. Skills such as uploading, posting, embedding, dealing with templates and so on are all very effectivly taught through blogging. Our students were mainly using their blogs as digital portfolios. In this format students are uploading content but not really doing much else.

While this skill learning is very important it is really only very basic learning and I was looking for a way to deepen both the learning experience as well as teaching using the blogging platform.

I met Richard Olsen at a recent forum on blogging and he presented a model which does exactly what I was looking for. This is a model that he along with his team at Ideas Lab had constructed along with Sheryl Nussbaum-Beach of PLP Network.

The four interlinking circles all show a different phases that a learner would move through while blogging. Each phase offering different skills and learning potentials. I imagine that the phases would be moved through seamlessly. Each phase also has implications for the teacher. For instance the connecting phase would result in the teacher having to teach methods of research as well as critical consumption of information.

The communication stage which has the role of sharing information and repurposing information would lead to the implication of understanding copyright and so on.

The real power of blogging comes when linking into these ideas. Practical examples of things you can do to link into these ideas are
1.Blogs have much more power when they are niche blogs as they allow the blogger to connect to a community, they set up stronger parameters for an audience for the blog, beyond the child’s parents and grandparents making it much more authentic.

2.When the comment box is used effectively it also allows for greater connectivity, it leads to deeper discussion, potential for questions and perhaps even debate. We need to teach our students how to comment effectively in order to create discussion.

3.When tagging and categories are done correctly the same happens. Children should be taught to tag for others not just themselves.

4.Blogs allow us to work collaboratively – there is always more knowledge in the group than the individual.

5. We also need to teach our students how to link effectively – this creates a broader knowledge base.

6. Students should be taught how to subscribe to other blogs, thus deepening their knowledge base and community base.

I presented these ideas to my staff and received overwhelmingly positive response. The model that Richard and his team has come up with is a good one as it provides a language that allows us to talk about blogging relative to our teaching practice, it also gives both pedagogical and practical ideas on how to take the idea of student blogging and transform it  or develop it to a deeper learning experience. It is also a model that I feel can be translated to alot of digital literacy’s. Many teachers are STILL unaware of how to apply ICT into their classrooms and see it as being some sort of nuisance rather than required. Models like this one provide substance to those teachers and are very beneficial.

in Bflat

A quick idea using the great site inBflat.net which is an online project that got people to film themselves performing simple drones in the key of Bflat and then allows the viewer/hearer to turn them on and off at will. Everything sounds nice because its all in the one key. I opened this up on my electronic whiteboard and then gave kids a chance to come up and experiment and create little arrangements. Its a great little site that enables the kids to instantly hear what it is like when you add a bass, or how the sound changes when a single note instrument like a trumpet comes in. It is also a great chance for them to hear music making using non traditional instruments and instruments that they might never have seen before.

creativity, student centered learning and web 2.0 applications

GoAnimate

Goanimate screen shot

In term 3 myself and my fellow music/ICT teacher Andrew Williamson were given the opportunity to work with a group of 30 grade 6 students for an hour a week doing whatever we liked in the area of ICT (computer’s). Instead of devising a curriculum for the class with an end goal in sight we decided to go the other way and hand over the power to the students and see where they would drive the curriculum. We proposed to them that they would be responsible to find web 2 open sourced software of the internet that would lend itself to some form of creative output -what form that was didnt matter it just had to be something that was of interest to them and would provide them with an opportunity to create something. They would then have to add this to a collective list. Each member was then rquired to investigate the applications that the others were discovering and write a review on them. All of this helped to instill in the kids a sence of responsibility to the group learning and hopefully a much more powerful group intelligence would emerge than anything Andrew or I could have come up with.

Once all the reviews were in the kids could then go to any of the programs they liked and start making thing, music, pictures animations, tessalations, game making, programming, cartoons films whatever. The medium is unimportant the process and ability to express ideas is the real thing of interest so discovering new mediums that will help you do this was exciting for all the kids.

We used Google Wave as our place to communicate as a class. A place to add your reviews and a place to chat about how you were going what you liked and didn’t etc. As this no longer exists you could create a wiki for your class to do the same thing

The kids loved this class, so much great stuff was made. I have quickly raced around and grabbed a couple of screenshots but it really doesnt give you a good reflection on the amount of diverse work that was being outputted from this class.

ToonDoo

Toondoo Screen Shot

This is a great example of what can happen when you simply set up an environment and trust that children have an inate desire to express themselves and to learn.

SOme online programes that were chose were

goanimate – a simple animation programe

Tagxedo – a tagcloud generator

Glogster – a poster creator

Aviary – a online image manipulator and music creator

Toondoo -a cartoon creator

Seashore – an image manipulator

SumoPaint – an online art program

NoteFlight – online music notation program

Scratch – Game maker

Scratch Screenshot

Scratch Screenshot

Aviary's music creator

Aviary's music creator

Under The Sea Compositions with Junior Kids

In the Junior levels I find vocal soundscapes are a really effective way to get them to begin to think compositionally. Here is an example of a very simple lesson which ends up creating nice little pieces of music.

Using the IWB draw up a series of pictures and then have the children suggest appropriate vocal sounds for them. The children can also suggest what the pictures would be. So we had bird sounds, rustling sea weed, we made body sounds to represent the octopus, screaming for the scary fish, bubble sounds for the school of small fish and a scraping sound for the large rock. Then draw a simple submarine and explain that the sub is on a sound gathering trip under the ocean. When ever he reaches a destination a new sound will emerge. Using your mouse guide the sub around the ocean and let the children make the appropriate sound.

To turn this into a more effective composition add a few percussion instruments that might be appropriate, we addes chimes and marimbas. You can talk about how they are to be played, dynamics, large or small intervals etc. so that each part fits in with the original idea of the composition – under the sea.

Finally record the whole thing in Garageband. Once the recording has been done it is a good time to play it and reflect with the children on how effective the piece of music was and does it need any changes. I actually took this time to teach some of the features of garageband such as cutting and pasting to double up the effectiveness of some sounds and also adding effects. We added some delay into the bubble sounds.

Heres a video of what it might look like.

Radio Plays ICT and music composition

The project we worked on with level four in term one was to create a radio play.
We initially looked at the Orson Wells version of War of the Worlds.
You can find the whole thing on youtube

http://www.youtube.com/watch?v=4wf5TPVz56A

This leads into interesting discussion on the use of sound effects to crate realism as well as talking about radio plays and how they work etc. why they were and still are very entertaining and acting and script writing techniques that  create a sense of reality.We also discussed the genre of Science fiction – which can simply be defined as stories about a science or technology that doesn’t exist and the subsequent consequences of if it did exist.

Secondly we looked at Jeff Waynes 1970s take on War of The Worlds

http://www.youtube.com/watch?v=eyWReM986gw

Here you can discuss the impact of adding music to a story, does it add to the story or overwhelm it.

From here the project fell into a number of steps.

1. write and practice your own science fiction radio play.

2. record it. This can be done in garage band. I tend to use the podcast template because it allows simplicity. It has a male and female voice preset that the kids can record straight onto. Just highlight the track you want to record onto and push the record button. Picture 1

3. add sound effects. Garageband has alot of great samples which can be accessed on the right hand side of the project window, they are labelled under the category of stingers. you can also use the jingles samples to add authenticity to your radio play, eg if you want to cut to an add etc. Sound effects can also be recorded in in the same method that you used to record your voice. This is always an exciting and slightly more authentic way to enhance the students projects.

4. Add a soundtrack. This is always an interesting part of the project and often it is advisable to discuss the role of music in soundtracks. It is used to enhance the main format which in this case is the narrative that is being delivered by the voice. It is being used to enhance the desired emotional state and if it is doing anything else it is being counterproductive to the project. Placing limitations at this stage of the compositional process is a useful thing for many students. The variety of choice that programs like garage band offers can become overwhelming for many beginner composers and quite often leads to boredom.

5. Finally render the project down into an mp3 format and upload it to your blogs.

The kids loved this project and created some amazing things. Here Are some examples
Robin and Eden
mary, alex, honor.

Some of the ICT skills that get covered here according to VELS are

Familiarization with basic skills programs (word)

Using spell checks

File Naming saving locating and file opening

In depth understanding of editing programs such as garageband

Understanding of networks

Use of concepts mapping programs and graphic organisation programs

Advanced web searching

Use of ICT equipment – microphones, mixing desk, etc.

Create products that document original ideas

Web Uploading ability

Familiarization with basic skills programs (word)
Using spell checks
File Naming saving locating and file opening
In depth understanding of editing programs such as garageband
Understanding of networks
Use of concepts mapping programs and graphic organisation programs
Advanced web searching
Use of ICT equipment – microphones, mixing desk, etc.
Create products that document original ideas
Web Uploading ability