soundchecking


Well things seem to be progressing smoothly not discounting the usual hiccups that occur when you are touring with 11 other only slightly familiar males in a foreign country where hardly any English is spoken. At this stage no rival factions have been formed within the core elements of the band a fact I presumed might have occurred owing to both the large size of the ensemble as well as the lack of any female presence. Seoul itself is an unusually well organized and compartmentalized city. Structures appear to be very important in this place. Every city appears to be divided into zoning regions with the zones consisting of a common theme. Eg, block 1 is allocated to shops selling kitchen sinks, block to is allocated to shops selling light fittings block 3 is allocated to some other home appliance. Block 458 was allocated to bars and it took a little while to find.

I’m presuming tonight’s gig is allocated to bars dedicated to early ska music but we will see.

Yesterday we rehearsed in a venue we play at later in the week. For our rehearsal we were given a full back line (drums bass amps guitar amps) a grand piano full percussion set, music stands, stage, food, drinks, a sound technician who sound checked the band pulling a perfect sound onstage and off, when the keyboardist leads were playing up and electrician showed up to make him new ones…..you get the idea and all at no expense to the band. Melbourne a city that boasts of its love for music has a little to learn in regards to how to treat musicians as well as professional attitudes to presentation….without me launching into a rave about free trolleys at the airport.

Regardless it is a privileged life musicians lead. To constantly find yourself in new environments with new people. To be able to move rapidly over the banality of introductions to strong creative outputs in constantly new environments is an excitement that is addictive.

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