NGV with Mick Turners band

I hardly ever blog about my music or the music Im involved in any more, just endless education pieces – not sure why that is. So here is a change.

Last Friday I played a show as part of Mick Turner’s band. Mick is probably best known as part of the iconic Australian band Dirty Three. As a band We have performed a number of times this year alongside Cat Power, when she was in Australia. mick_turner_ngv_0714_justintapp_0004.40f71fb3b94ecaae4459cd568a736632

Photo by Justin Tapp

There is something about Mick’s music that is absolutely incredible to be a part of from an onstage perspective. It has a freedom in  it which is entirely original. I thoroughly advise you to have a listen to it and maybe even go out and buy it.

Here is a review of the show

http://themusic.com.au/music/livereviews/2014/07/13/mick-turner-national-gallery-of-victoria-guido-farnell/

 

 

Pozible Campaign Thankyou

A huge thank you for those who supported our Pozible campaign.

They included Juan Turner, Tim Bishop, Tim Phillips, Andrew Williamson, Tim Lane, Gavin Anderson,, Adam Milburn, Chai Ang, Sarah Curro, Elenor Tilzey, Ben Green, Owen McKern, Danielle Moorhead, Tim Web, Cam Robbins, Trish Harrington, Tania Bosak, Paul Kidney, Lou Lou St Cruz, Gary McKie, Don Jordon, Phil Bywater, Bronwyn Bee Be, Joe Sexton, Sway Colam, Rory McMahon, Margaret Bywater and Miriam Zolin.

The multi media component that has been created (by Dotahn Caspi and Sean Kelly) by your generous donations are absolutely stunning. Everyone in Collider and those working on the production is very very appreciative of your support.

This show is a very personal statement for myself and has been in the making for almost 2 years now, I am really looking forward to be able to show it. It has also been an incredibly satisfying experience as an artist to collaborate with other highly talented hard working artists creating at the top of their fields including the members of Collider, Adam Simmons, Anita Hustas, Andrea Keeble, Jason Bunn, Sarah Curro, and Ronny Ferella, as well as the visual artists Dotahn Caspi, Emmily Caspi, Sean Kelly and my amazing wife Michelle Robinson.

Here is the link to purchase tickets to the show 

Talking About My New Composition. Solo In Red

Some very exciting news. In August of 2012 acclaimed Melbourne ensemble Collider will be performing a piece entitled Solo In Red, written by myself. The piece will be performed as part of the Melbourne Writers Festival program over 3 nights at the Melbourne Recital Centre.

“Kynan Robinson’s new piece Solo in Red is both astoundingly beautiful and original. Setting out to capture the atmospheres of a Cormac McCarthy novel it does all that and more.” – Vierre Magazine 2011

I prepared a statement for media discussing the work which reads as follows.

“With my new piece, Solo in Red, I feel as thoughI have found the creative and artistic expression/voice i have been searching for my entire career.The piece takes its inspiration from the writings of the hugely important American author Cormac McCarthy.My collision with McCarthy’s writing came at a time when I was formulating my ideas for this piece of music. In McCarthy’s work I found a literary parody for my musical concepts; the themes and atmospheres he creates, that so absorb you as a reader, were very similar to what i was interested in creating. Image

McCarthy’s writing and the atmosphere he creates has a sparseness, detachment and tension and is always touched with a dry wit. He presents both the absolute beauty and absolute ugliness of existence, often within the same sentence. To me his works sits somewhere in the place of the spirit world and if you enter it it will often bring forth both frightening and peaceful truths. 
In the composition of Solo In Red I am making a very personal statement on life and it’s deep sadness, only matched by its overwhelming beauty.
The many elements of this show, including performing with the incredible ensemble Collider  plus the breath taking multimedia component which includes lighting plus the most beautiful and lush video projections, (produced by Dotahn Caspi, Sean Kelly and Michelle Robinson) will all lend themselves to an experience that is both powerful and transporting for any audience member.
I am very excited to be presenting my new work at the Melbourne Recital Center and as part of the Melbourne Writers Festival. The Recital Center has many great memories for me both as a performer and audience member. It is a building of such beautiful dynamics and delightful aesthetics that it is almost the perfect place to hear this work.”To book tickets to the show you can click on the following link

 

You can also read about the development of the multimedia and actually contribute towards the costs if you feel so philanthropic. You can either pledge support – (there are some great rewards – especially to those interested in attending the Melbourne Writers Festival Paperback and Hardback passes valued at $90 and $325 respectively) OR if you can’t contribute financially – no problems at all – but all we ask is that you spread the word!

Pledge support via our Pozibles site or simple share the link via email, fbook, twiiter or any other means :http://www.pozible.com/collider

It is a costly process to produce these large scale works and your contributions to the Arts are very very appreciated.

If you would like to  purchase a copy of the bands original album click here
Kynan

The writings of Cormac McCarthy and my music

On December 12 I will be presenting a new work with my band Collider, a band I co-lead with Adam Simmons.  Adam is also presenting a new work on the night. The evening is an exciting one for us. As well as giving us the opportunity to present new material we have both decided to conceptually link our compositions to literature.

I have composed my work with the brilliant Cormac McCarthy in mind, whose writing creates an atmosphere of sparseness, detachment and tension and is always touched with wry humour. He presents to us both the absolute beauty and ugly truth of existence.  These are some of the themes I have kept in mind when writing the work. I also find an intense spirituality in McCarthy’s work that seems to links into a deep religious structure overlaying much of America’s history. This is a structure that I myself have some personal understanding of, being raised as the child of missionary parents.

Adam’s work is focussing on Dr Seuss. Adam has embedded Seuss’s prosody in the compositions for this concert.

The details are

Monday December 12

Doors open at 7 for a 7.30 start

Fortyfivedownstairs

45 Flinders Lane Melbourne City

presales available : 96629966

www.fortyfivedownstairs.com

On another musical matter I will be performing as part of CW Stoneking’s Primitive Horn Orchestra on Friday the 2nd at the Corner Hotel and Saturday the 3rd at Homebake Festival, Sydney.

Collider

A relatively New Band of mine, Collider, will be performing this weekend at the closing party for the Melbourne JaZZ Fringe Festival closing party Big Arse Sunday SUnday the 8th May at 303

Collider is a band that consists of trombone, tenor saxophone, drums and a string section of violin, viola and double bass. It creates a very unique and interesting sound.

Band Members are

Myself – Trombone

Adam Simmons – Sax

Andrea Keeble – Violin

Jason Dunn – Viola

Ronny Ferella – Drums

Anita Hustas – Double Bass

The other interesting aspect of the band is that everyone in it is a very strong composer in their own right which has allowed us to pursue a different approach to how the band chooses to perform. Rather than getting a bunch of tunes up we have decided to approach each future performance as an opportunity for one member of the ensemble to compose for the band. In the past both Adam and myself have composed music for various concerts and Andrea and Anita have composed work for performances at The Womans JaZZ Festival. On June 22 we will be presenting new work by Ronnie and Anita as part of th La Mamma Music series.

I have also had my head down writing for the group. My new work is a really stripped back approach to composition. I am attempting to focus in on the purity of sound and therefore trying to pair back anything I have written that is unnecessary. The idea of a purity of sound also has certain religious connotations to me, something I have avoided for a long period of my life but feel ready to tackle now. The obvious reference points for this new music I am struggling with would be Messiaen and the stark music of Morton Feldman.

For a review of the bands recent gig here is a link from AusJaZZ.net

TV and Jazz Clubs


Well die we didn’t, in fact we lived on with frightfully good energy. I wont bore you with the details of the following gig except to say it was in an astoundingly classy jazz club. In fact this club had so much class it bordered on the ridiculous and pushed it more towards the cliché of an astounding jazz club. Right up to the point of demanding the band play 3 one hour sets, who has the tolerance to listen to three sets of any form of music…..not me and I was on stage . The club was called “Once In A Blue Moon” which was displayed behind the bandstand in classic blue neon. I think you get my point, lets move on.

A four hour bus trip later we were in a huge TV studio setting up for the Korean equivalent of Top Of The Pops. Now I have been involved in some strange situations , many in this small tour alone, but this one was absurdist. The day was already long, set up was followed by a seven hour wait before it was our time to take to the stage for our one hour blistering set that was to be broadcast to millions of Korean houses. The endurance effort required to wait 7 hours in a TV studio with no one to talk to except the people you ran out of conversation with 3 days ago and little to entertain you except a large plasma TV playing 72 channels of Korean Soap Opera, and 2 small bottles of whiskyis significant. The line up for the show was to include a famous Japanese piano player who had nailed down the less than significant style made famous by Richard Clayderman in the early 80s followed by us and wrapped up tastefully with a Japanese boy Rock out fit, all to be interspersed with interviews conducted in three languages by a giggling Korean teenage host and her staff of interpreters. Perfect, I thought to myself. Why wouldn’t millions of people watch a smorgasbord like that?

Well perfect it was in true asian style. The studio audience was full of screaming teenagers that never let their energy levels drop below hyperactive as the put their heart and soul into mimicking the correct dance steps for the fast numbers, getting all teary on the slow numbers, hopstepping when required. The band played it up realising that we were taking part in some strange miniture reinactment of a Beatles concert. I kept my suit jacket on the entire hour despite the ragging heat being caused by the massive lighting system spraying spotlights and psychedelic colours all over us,thought it would be more authentic to keep it on. I love Sydaney was yelled by many of the delightful audience, no mention of Melbourne which I can understand. And at one stage I heard one of our band members names being called out again and again until he finally looked up to be met with a youngster making a heart like shape with her arms towards him. I can only presume this was to indicate her new found love of his chromatic soloing style.

Asia ….fantastic.

when things go somewhere else

Madness descended on the band last night. It was the second gig of the tour and we were scheduled to perform in the university precinct, naturally this was a lot cooler than the jazz precinct we performed at the previous evening. We were doing a double act with local Korean Ska superstars Kingston Rudi Ska including a number together which would involve putting 20 musicians onstage hopefully overcoming cultural and language barriers (Musical language as well as the normal use of that word) to successfully belt out a cover originally composed by a patois speaking Jamaican.

The Korean band performed a version of Ska which could only be described as Asian including there well known love for all things kitch, colorful and bright, moving into areas that the Western mind can only find psychedelic. The crowd was full of young women screaming at every move of the lead singer as he ran his fingers through his hair and crooned the crowd with his falsesetto. But the group was lead by the trombonist who had all the makings of a trombonist the no mater what country your from or what patois you mumble. He was defiantly left of center, in fact center had become a foreign concept to him (as is the case for most trombone players). As all twenty members got onstage for our preshow rehearsal he grabbed the mike and with the only English words he knew he yelled WELCOME TO OZRALIA KOREA SKA YOUR VELY WELCOME….TONIGHT WE DIE

And we almost did.

Both Sets went to plan many encores were given (Koreans love calling for an encore) the gig finished and the bar emptied quickly, in very Korean style and we were left with Just the bands and a few hangers on.. And thats whenthings started to get interesting. Knowinghow the struggle for successfully dialogue was going to pan out I took it uponmyself to get our trombone playing friend back on stage and peforming. Little encouragement was needed and soon most musos were back up performing the regulatory trance like broken rhythms and jilted bass lines matched with wailing banchee like vocals that can only occur late at night when all musicians have been plied with alcohol and decide to perform on instruments that they aren’t familiar with. I’ve always wanted to be a drummer and nows the time. At some stage of the night a tatoo artist was summoned and mistakes were made. When a post gig session starts this way and is to proceed for many more hours you know death is immanent.

Here’s some video footage from the show last night.